ArtistGrosz, George

Artist Years1893-1959

Artist NationalityAmerican, German

TitleThe End of a Perfect Day

Year1939

MediumPrint > Drypoint

DimensionsPlate: 9.9 X 12.8 inches

Catalog ReferenceDuckers E. 10

Accession Number289976

NotesGeorge Grosz (July 26, 1893 – July 6, 1959) was a German artist known especially for his caricature drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic. He emigrated to the United States in 1933, and became a naturalized citizen in 1938. Abandoning the style and subject matter of his earlier work, he exhibited regularly and taught for many years at the Art Students League of New York. In 1956 he returned to Berlin where he died.

George Grosz was born Georg Ehrenfried Groß in Berlin, Germany, the son of a pub owner. His parents were devoutly Lutheran. Grosz grew up in the Pomeranian town of Stolp (Słupsk), where his mother became the keeper of the local Hussars Officers' mess after his father died in 1901. At the urging of his cousin, the young Grosz began attending a weekly drawing class taught by a local painter named Grot. Grosz developed his skills further by drawing meticulous copies of the drinking scenes of Eduard von Grützner, and by drawing imaginary battle scenes. From 1909 to 1911, he studied at the Dresden Academy of Fine Arts, where his teachers were Richard Müller, Robert Sterl, Raphael Wehle, and Osmar Schindler. He subsequently studied at the Berlin College of Arts and Crafts under Emil Orlik.

In November 1914 Grosz volunteered for military service, in the hope that by thus preempting conscription he would avoid being sent to the front. He was given a discharge after hospitalization for sinusitis in 1915. In 1916 he changed the spelling of his name to George Grosz as a protest against German nationalism and out of a romantic enthusiasm for America that originated in his early reading of the books of James Fenimore Cooper, Bret Harte and Karl May, and which he retained for the rest of his life. (His artist friend and collaborator Helmut Herzfeld changed his name to John Heartfield at the same time.) In January 1917 he was drafted for service, but in May he was discharged as permanently unfit.

n 1922 Grosz traveled to Russia with the writer Martin Andersen Nexø. Upon their arrival in Murmansk they were briefly arrested as spies; after their credentials were approved they were allowed to meet with Grigory Zinoviev, Anatoly Lunacharsky, and Vladimir Lenin. Grosz's six-month stay in the Soviet Union left him unimpressed by what he had seen. He ended his membership in the KPD in 1923, although his political positions were little changed.

Bitterly anti-Nazi, Grosz left Germany shortly before Hitler came to power. In June 1932, he accepted an invitation to teach the summer semester at the Art Students League of New York. In October 1932, Grosz returned to Germany, but on January 12, 1933 he and his family emigrated to America. Grosz became a naturalized citizen of the United States in 1938, and made his home in Bayside, New York. In the 1930s he taught at the Art Students League, where one of his students was Romare Bearden, who was influenced by his style of collage. He taught at the Art Students League intermittently until 1955.

In America, Grosz determined to make a clean break with his past, and changed his style and subject matter. He continued to exhibit regularly, and in 1946 he published his autobiography, A Little Yes and a Big No. In the 1950s he opened a private art school at his home and also worked as Artist in Residence at the Des Moines Art Center. Grosz was elected into the National Academy of Design as an Associate Academician in 1950. In 1954 he was elected to the American Academy of Arts and Letters. Though he had US citizenship, he resolved to return to Berlin, where he died on July 6, 1959 from the effects of falling down a flight of stairs after a night of drinking.
(source: wikipedia,org)

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